" Golden stripe cloth following the traces of His Majesty's visit " has a history that Singburi people are proud to promote and extend the golden strip pattern to become popular again. The fabric will be colored from the husks of the tamarind tree, which is the provincial tree of Sing Buri and is red like a ripe betel nut which is the unique color of Singburi Province, the color of warriors. The fighter uses the gold color that is naturally dyed with cotton weft yarns.
“ Glass bead pattern fabric” has pattern that is as beautiful as glass beads. It has a unique pattern and unique weaving method. It has a Yok Dok pattern throughout the piece. The northeastern region calls the Yok Dok weaving as Khit. The pattern is kept at the weaving spit called huddle or called Khao. Sisaket prefers to weave with 4 huddles because it will get a suitable fabric pattern that is not too small or too big.
La Kon Sai Moo is one of the patterns that clearly show the uniqueness of Lampang art. Pork fillings are classified as clouded or flowing clouds, which is a group of patterns that have been influenced by Chinese art that has influenced the Lanna art style and has evolved to become a unique identity from the appearance of the pattern to curl back and forth in various pattern frames. Besides that, It has also been determined that the color of Lampang's identity is lac red, olive green, and volcanic soil.
Saket pattern silk: The word Saket comes from the name of the city Saket Nakhon, which is the name of the ancient city where Roi Et is located today. The fabric pattern developed from the traditional local wisdom of Roi Et peopl. It is a unique fabric pattern in Roi Et province. There are 5 patterns of local Mudmee cloth.
"Aueang Sae pattern, the fragrant orchid queen of Sam Mok City" has the following patterns and meanings:
Kaew Mukda Mudmee silk Pattern is the use of ancient fabric patterns that are unique and have the meaning of the province. There are 5 patterns, tied into patterns on silk threads and woven into a cloth. Each pattern has a unique identity and meaning for Mukdahan Province.
“ Teak flower pattern” can be used as a pattern to produce fabric products of Phrae in a variety of techniques, such as Tin Jok fabric in Muang Long style, Karen embroidered fabric, batik fabric, printed fabric, pattern fabric with dyeing techniques, Mor Hom, Yok Dok silk and hand sewn cloths, using the main structure of a unique Teak flower pattern, that is, a flower with 6 petals, 6 stamens. The beautiful flowers of teak blooming from a sacred tree that is valuable and costly. It has a long relationship with Phrae people.
Mudmee Khan pattern” has a distinctive feature and aesthetic design. There is a connection between the religious Art and culture with a distinctive identity , namely, the fabric pattern appears with 7 or more Mudmee patterns. Some may be up to 18 Mudmee patterns, woven alternately with frequent multicolored silk/cotton threads, in the style of Mueang Lom Kao, known as the Patterned One, consisting of small mee, medium mee, large mee and interlaced Ma Mai ( Ma Mai : two-colored silk, creating a pattern, in some localities called Ken Kuab)
Suwannawat pattern . The word "Suwan" refers to Wat Yai Suwannaram which is a temple with complete arts of Phetchaburi Province, while the word " Watchara " means diamond refers to Phetchaburi Province, so the word " Suwannawat" means cloth from the pattern of Wat Yai Suwannaram and is the identity cloth of Phetchaburi province.
The Bunnak flower pattern has a source from the Bunnak tree, the provincial tree of Phichit. Bunnak is a perennial tree, hard, fragrant, with unique flowers, white flowers with 4 petals, inside with circular stamens. Yellow-orange woven fabric with “Bunnak” pattern can be woven with cotton, silk or artificial yarn, use a loom weaving. It is woven into exquisite patterns that are beautiful by using the “Bunnak flower” pattern to weave together with signature of each group textile dyeing.